The

TWO BOOTS’

POETRY

Timothy Young

tim@twoboots.net

The

TWO BOOTS’

STORIES

POEMS

 

Poems and Song Lyrics

Audio Sample Now :http://cdbaby.com/cd/youngandyata

 

          

                                                                 Yata Peinovich  and  Timothy Young

 

Snow Has Fallen  

by Young and Yata

Released May 1, 2008

 

All words and music by Timothy Young and Yata Peinovich © 2008

 

OUTSIDE LAS VEGAS

                         after Kabir

Why do you, my twin, have the jitters?

If the Holy One cares for squirmy otters,

dung-dipped cowbirds, and locusts

who clatter in the trees,

if He held you while we

were still in the womb

why wouldn’t He hold you now?

 

How could we have ended up

in a ’69 Rambler, living outside Las Vegas?

We’ve made too many friends

who sit all night at the slots,

waiting to perform in casino shows.

We’ve left the Holy One for poker chips

on an empty green table.

 

MUSICIAN MARRIED

 

Today the musician married,

the long score plays and replays,

toward that moment  his wife knows far better than he.

 

Wave after wave of music has courted her,

motion flowing out of his fingers.

And she rustled, as leafs do.

 

Yet only in silence, so seemingly empty,

is there fullness. They know it,

in their souls, their bodies and kisses.

 

Only stillness can carry their marriage boat.

Only silence can generate music.

Only a musician who finds it, can give his music to her

 

No matter her busyness,

no matter his attention,

she feeds him stillness and he lifts her into his world. 

 

Nothing else needs to be proved.

The song its flurries and rests,

its brightness and arbors, will generate greatness in the two,

and whichever third is coming.

 

SWEETNESS AND CONTENTMENT

 

Outside the window

peony buds

are about to burst

into red bowls

of fragrance.

 

I hear wrens whistling

in the soft rain.

I hear water spill

as my love showers

in the dark bath.

 

My heart fills

with sweetness

and contentment.

 

I'm quiet, and

near peace

with the gray rain,

the dark trees,

and our iridescent life.

 

Forgive me.

Tonight,

ugly chrysanthemums

of smoke

spewed

from the bug-eyed,

flare-nosed

gargoyle

in my heart.

Forgive me.

 

PILGRIMAGE

 

1

It’s still dark on the road,                                                                       

after forty years of working.

What do I have?  Curiosity, fear?                                                          

Camping gear and a big car?                                                     

Let me        call this thing      Emptiness.                                                

2

I’m alone with the mosquitoes                                                               

at the  Mississippi headwater,                                                    

in the parking lot called Cemetery Circle                                    

My car won’t start, the battery’s dead.

Tomorrow seems     as thick as a black     spruce swamp           

3

At the Deerwood Motel an old woman smoker               

in a too-tight bra and lipstick job,

flips on “No Vacancy” as I arrive.                                             

All the rooms are empty-- except one with a trucker        .                                  

I smell       Old Spice in      the lobby.                            

4

The big river slides beneath Brainerd’s bridge,                

where meth-head painters sign their names.

They tattoo pentagrams on the pylons,                                                   

pick their scabs and give up on all choice,                                     

They’re following      that long, long road        like ghosts                        

5

The ground is trembling from nighttime explosions               

at Fort Ripley’s artillery range

I didn’t go to Nam, but Roger

and Steve and Dennis came back

and blew themselves away       one way or      another               

6

Pig’s Eye is a wasteland, but it’s not dead.                       

Prisons hunker up and down this River.

I’m not really a pilgrim                                                                          

like Parsifal or Quixote                                                                                     

but there’s a rosary     of sorrow twisting     in my head. 

7

Old paddlefish feel the river with their lips.                     

They never see more than the dark current.

Their scales hum the world’s oldest songs.                     

Their skeletons wash up on the sands                                        

Eight vultures      wobble upon      the updraft.    

8

The Qawwali singers of the birds                                                          

are chanting in the woods.

Who are you, you wild song birds                                              

whistling above poison ivy?

Why are you singing     those sweet songs    for me?

 

MISSISSIPPI RIVER CHANT

M    ISS    ISS    IPP    I    (3#)

Come down the river

aboard the Houseboat of Hope

Follow the blood through the homeless heart

Chorus:

Follow the River

Follow the River to the Sea

Follow the River

M    ISS    ISS    IPP    I    (3#)

Drift between the Great White Bluffs

Slide beside large beaver lodges

In and out of lily pad lagoons

Chorus:

Follow the River past the years of abuse

Follow the River through the tears and racism

Follow the River into the flow of Forgiveness

Chorus:

 

BEST BLUES

 

The best blues come from old men,

men like Skillet Walker.

Bent-over piano man

in a tux among the bikers

His piano has a linoleum sound

but his sidekicks solid on guitar

Chorus:

Skillet's voice is worn out

like that Persian rug

I hear moaning through the frayed ends

weeping on the bare threads

The old man pulls the blues

from deep in the earth

His licks are twinkling

like old sea fossils

asleep in a limestone bed.

There's no traffic in this small town

so I stand in the middle of the street

The moon's a bone over the road.

Tonight no dogs will sleep.

The best blues come from old men,

men like Skillet Walker.

His body leans into a crooked song,

there’s dust on his road to love.

Blues seep out the open screen doors

of this rivertown Star Café

Chorus:

 

JULY STORM

 

I never kissed her cranberried lips,

I only listened to the bees

guarding her heart.

She said to me—

How long must I play for you?

Shake off your shyness.

I said—

Your smile is lightning

across the sky of my heart.

She said—

Your hesitation is a storm

ready to rain on my zinnia garden.

 

 

JANUARY STORM 

 

I carry hay to the white-eyed,

wind-loco horses

as they jolt from the corral

to the feeding shed.

Their hooves skid

on the gray ice

and their rumps shiver

with uncertainty.

The temperature’s dropping

and the wind feels

like many small razors

skipping across my face.

With so little snow,

dust blows off the bean fields,

coats the frozen ice patch,

and dirties all my windows.

It’s so cold

even angels and demons

leave me alone. 

I’m on my own.

 

GLASS BRICK

 

I was dreaming.

I was so happy.

I knew your love

would hold me forever.

Now I can’t remember you.

My mind is a glass brick.

Light and shades enter,

but not your face.

My heart knows you,

but it’s pierced

by my forgetfulness

and I can’t stop aching for you.

 

MY HEART IS YOUR HOME

 

If you drive a John Deere

if your teeth are sore

if you can’t afford your health care

MY HEART IS YOUR HOME,

MY HEART IS YOUR HOME,

If you’re losing your house

‘cause you’re back with the Guard

and you’re sleeping in the sand with the fleas.

MY HEART IS YOUR HOME

MY HEART IS YOUR HOME,

If your veterans benefits have fallen far short

if your nightmares have started to come back

If you’re walking a strike line, if you’re pension’s at

stake

if they’re breaking their promises again

If you live beneath a bridge,

if a box protects you from the rain

if you have to beg for a one or a five.

If you love someone

who doesn’t fit their mold

if you have to hide your love for your safety

MY HEART IS YOUR HOME

If Santa has your number

and you didn’t get a present

if the snow covers your toys,

MY HEART IS YOUR HOME

MY HEART IS YOUR HOME,

If someone touched you wrongly,

if you weep through the night

if your life is a river of sadness

MY HEART IS YOUR HOME,

MY HEART IS YOUR HOME,

If brown clouds are rising and the sun’s fading too fast

If the water’s dark and angry

If your losing your work, your children are crying

If your home is no longer your castle

If you don’t own your soul

If you’re looking for a way out

If you’re ready to hold and be held

MY HEART IS YOUR HOME,

YOUR HEART IS MY HOME,

MY HEART IS YOURHOME,

YOUR HEART IS MY HOME,

MY HEART IS YOUR HOME,

 

THE CALL

 

Oh, my weary way, weave through the dreary day,

Oh, my weary way.

What if you thought you were called

to help others, and everyone

you help begins to suffer more?

 

What if your own life spins

into chaos and difficulty

and is more painful than

 

before you listened to the call,

the call you heard

after you stopped drinking,

 

after you tore away the steel doors

around your heart, when you heard

the simple and whispered words--Be Kind.

 

 

LOOK FOR LOVE

 

Because I’m a man

with plenty of scars, I can say,

"Don't go looking for a wound.

Look for love."

Look for love

You'll be wounded anyway.

When wounded, don’t hide. 

Look for love

Look for love

Even a lonely robin

with his quivering tongue

sings through the night.

He calls for love.

He looks for love

He doesn't sleep,

he looks for love

and he’s heard

 

THIS FIRE

 

Of the thousands of kisses

you’ve accepted

from me,

of the thousands

you’ve given

there was one

like cool water

poured into

my boiling cowboy

coffee.

My soul’s no longer in turmoil

The frothing quit,

tumbling grounds settled

color returned and in my heart

the dark coffee grew

strong,     clear,     rich,     warm,    calm

 

I love this fire I am,

because it lights you up,

and me

and I live more easily 

with your cloudy scent.

I’ve worked my nose hard,

and inhaled

the cedar bark’

yellow, resin-drop

fragrance.

Your sweetness is worth the effort

When put to your stickiness,

my desire melts you,

and you rise

into small bowls inside me,

where     you     meant      to      be.

 

MY BLACK GUITAR

 

I want to play         

my black guitar

to a God who listens.

He hides in a hammock

that’s slung from the stars

and I can’t find the moon in the sky.

 

I want to play           

my black guitar

to a God who listens

My faith falters

It really happens

and I can’t wake my wife to my pain.

 

Swans are sleeping in the shallow water

near freezing Alma

A lonesome hound howl

down in the coulee

and the songbirds have long flown south.

 

I want to play       

my black guitar

to a God who listens

I’m a stick in cold ashes,

my heart’s a gray river,

and the fire’s gone out in my soul.

 

I want to play       

my black guitar

to a God who listens

I want to play         

my black guitar,

but it’s broken.

 

SNOW HAS FALLEN

 

An inch or two of snow has fallen.

Summer’s earth-born beauties are covered.

Among the nettle stalks darkness

decays the dead leaves.

 

Isn’t snow like death?                                                                           

No one will ever see my prickly face again.

No one, maybe our curious hound,

will hear me rustling, struggling

with my concerns on the other side.

 

Yet, because of the snow,

because of seeds and saints

and accident survivors, I sense that,

somehow, the sun’s warmth  will return.                                                

I watch the chickadees flit                                                                                

from stem to dead stem.

They pick at weed seeds

and sing against the cold.

 

A chickadee warrior

is the bravest of all.

He defends his kin

against any large thing.

He is steadfast—courageous—                                                 

and in the worst winter he won’t flee.

Gray, white and black, he’s beauty

with only three tones of his color. 

 

Joyous—he sings and dances when

the slightest streak of dawn cracks open.           

He’s social and he chirps while snowflakes

drop, slowly, beautifully, and easily.

 

Even in a blizzard he finds a refuge.                   

He tucks himself in and waits

for what is impossible to defy,

to pass.

 

I’ve watched the gray day                                                        

arrive out of black pre-dawn.

Snow begins again. The lawn’s white. 

The sky’s white, and if it weren’t for

the gray trees and chickadees,

I wouldn’t know where earth stops

and sky begins.

 

 

 

 

 

 

This Week’s Poem

YOUR LOVER’S BREATH IN YOUR EAR

                                                by Hafiz                Timothy Young version

 

adapted to the contemporary from James Moirer’s 1823 translation in  Hajji Baba of Ispahan

 

 

Joy comes like a lover’s breath in your ear,

and it feels good—fondling under apple trees.

Why delay joy just to become a better person?

Hurry up, Love! Bring bottle of wine to the orchard!

 

Each hour of joy is a treasure,

but when someone schedules joy

to a ten o’clock appointment

he’s a fool, and only regret arrives.

 

Our lives don’t hang by a thread.

A chain of suffering also keeps us dangling.

Why deny it?  Why worry?

It’s enough to know that misery exists.

 

Those crazy twins, Love and Wine,

come from the same source.

Are we to blame? Should we feel guilty

when they come without restraint?

 

Why ask forgiveness,

if my mind is clear and my heart, right?

How can you, a slick-talking guilt dealer,

say that I’ve sinned?

 

Hermits drink from wild springs.

Poets enjoy champagne from a bowl.

Until he’s judged by God above, Hafiz will

keep drinking, keep singing and keep going to the orchard.

 

 

____________

 

The great contemporary poet, Thomas R. Smith, taught me the form of the Cinquain.  It is a purely American form, to utilize the wonder of American English.  It was developed by the Imagist poet, Adelaide Crapsey, almost one hundred years ago.  The form uses two syllables in the first line, then four, then six, then eight, and  resolving with the last line having two syllables.     I have enjoyed combining individual cinquains as stanzas to form longer poems.

 

CINQUAINS ON A BLOOMINGTON STRIP MALL’S TENANTS 

 

Massage,

Suntastic Tans,

United Liquors, The

Affordable-Best Caterers,

Barbers,

 

Mister

Movies, Fresh and

Natural Foods, China

Jade Restaurant; and then Caskets

& More.

 

 

 

 

 

 

 

 

************************************************************************************************

 

 

 

JOY SOUP, the big band composition, premiered in Jazz at Lincoln Center, New York, on May 17, 2006 by the Jazz Band Classic of the New York Youth Jazz Symphony.   The jazz composer, Daniel Cavanagh, used this poem by Timothy Young, as the inspiration for his award-winning composition.  

                                                                                               

JOY SOUP

 

There are nights when a veil drops

and I see that we’re swimming

in a vast tureen of Joy Soup.

 

Our mumbled songs, our hoarse shouts

our gurgling, rambling chants

simmer over Glen’s flaming guitar.

 

Our words are fruit grease

wiggling to the surface.  Robert’s poems

are honeydews floating in the air.

 

With a cherry in his voice David sings

to a goddess, who smacks her lips

at the aroma of our cooking souls.

 

Light a match.  My poems are just kindling for the stove.

Let my words be incense thrown on the charcoal.

Let me be a sugar cube dropped into the tea.

 

                                                

                                                                                                  

 

 

 

 


  

 

 

This poem appeared in FREE VERSE,  Issue #80-2005, also performed with the University of Texas at Arlington Jazz Faculty Quartet, February 9, 2006.   Music composed by Daniel Cavanagh.

 

HOMAGE TO WHITMAN

 

This day, this arch of birch over the log pile,

this large sky as blue as a sunfish fin,

this pine grove as green as a hunter’s coat.

This bluff, this corn, this mud-wrinkled road

where immigrant Swedes were captured

by the hills, ravines, creeks and oaks--by beauty.

 

This melting snow, this thawing ice, this heart of mine,

twisting, turning, dangling, wringing, watching and singing

in the clasp of beauty’s large fist.  I eat beauty,

I breathe beauty, I rub beauty onto my chest hairs.

 

The loping dog, the horned ram, the sleek Ford pickup,

the echoing chortle of a strutting tom. 

The taupe fields, the cut stalks.

I love the curve of the contoured rows.

The rattling maize leaves slice into my heart,

the plum bush swings its thorns to my throat

Beauty infects me.  I accept

the natural hypodermics, all briars and canes,

nettles and thistles, dried and dead and working.

These skin strippers, these clothes tearers,

the ones who wish me naked with them.

 

I love, too, these stinkpots, this manure bed,

this nest of opossum, rank with winter refuse,

this dormant pile of rot, this embraceable torso, this limp cock.

This stirring, cracking, shuddering heart opens for them all. 

 

Come in maple sap, lanolin, wet resin, cedar scent,

birch bark, elder root, ash gatherer, tractor hum,

horse fart, skunk tread and pocket gopher mound dust.

Put me in your furry mouth, wrap me in your diaper,

bathe me in your silky hide, scrub me with your stars.

 

 

 

  

 

The Writer's Almanac for May 15, 2005, repeated May 15, 2008
Garrison Keillor chose this poem for May 15th,
 
Poem: "We Collect Gull Feathers" by Timothy Young  from Building in Deeper Water © The Thousands Press.


We Collect Gull Feathers

As the evening dies over Pepin,
we collect gull feathers, black and white ones,
and pretend they were dropped by the eagle
whose track and wing marked
the gray Mississippi sandbar.

Jesse remarked as we arrived,
"If I point at hawks they fly away,
but if I don't they stay in their trees."

The river moves heavily, south,
and the sun drops beyond the bluffs.
The air chills me.
I want to keep my fingers in my pocket,
because everything moves on here,
except that sweet pain of love that knows
he's growing up to leave me.

 

The Writer's Almanac for May 16, 2005
Garrison Keillor chose this poem for May 16th

Poem: "Not Naked on the Bed" by Timothy Young from Building in Deeper Water © The Thousand Press.


Not Naked on the Bed

Your beauty, nude
not naked on the bed,
is far more a gift
than I ever expected.
I watch languor recline
in your wise grey eyes
while slate hummingbirds
carved as earrings
dangle from golden hooks.
I quiver in your breath
and the ceiling fan halts
in that instant.
We look at one another
with both eyes open and close.
An intimate wind,
the cause of auroras,
moves north and south,
east and west,
then we swim
into one another.

-----------------------------------------------------

 

TWO POEMS WHICH APPEARED IN THE PUBLICATIONBLINK, a little magazine of little poems

 

 

Facts are like gnats…

in half-light they take the shape

of the head that attracts them.

 

           February-March 2005 issue

           Vol.4, no. 4

 

 

Sarcasm is the razorwire

a clever boy unrolls

around his fear.

 

            May-June 2004 issue

            Vol. 3, no. 6

 

In November 2005, my old friend, Cootie, died at age 55.  When he gave up drinking, married a second time and began to raise two children, he said he wanted to avoid his old neighborhood friends.  I honored that and did not try to find him when he moved away. In 1983 I wrote the following short story which was published in the literary magazine, The Inkling.  Today, I understand so much more about the difficulties of the Vietnam War veterans who tried to cope with their lives when they returned home, and I honor his difficulties as a persistent drive for living and love. Cootie and I lost two other veteran friends to suicides after they had returned from their tours of duty.   The story is a truthful retelling of our younger days, yet the women are fictional.

 

 

Physics and Jose Cuervo                 by Timothy Young

 

                                    for Cootie-- Vietnam Veteran    December 1949—November 2005

 

            According to Albert Einstein, if two men were to journey away from the earth at a speed beyond that of light, upon their return the world would have aged more than they.   And, if they were capable of enough speed they might even be able to see themselves coming toward them as they returned.  This logical confusion of theoretical physics is understood by physicists and a few tequila drinkers.

            A tequila drinker can comprehend this concept even better than physicists, since the physicists can only understand cerebrally.  Time is a different existence under the spell of Jose Cuervo.  Known at times as “Joe Queer” it has inherent, distilled ingredients which can carry two men beyond the realm of familiar time/space and into a special frame of benevolent communion, where they are again their memories, memories sharpened so well that they are in simultaneous existence.

            Under these benevolent circumstances Cootie and I left our campsite, eight miles outside of Bigfork, Minnesota and began to stroll into town for a Friday night of camaraderie and the pursuit of beautiful women.  We had driven into the north country with a dozen comrades for a canoeing expedition, which was to begin Saturday morning on the Bigfork River.  Clutching a fifth of Jose Cuervo and a quart bottle of Squirt we bounced along the serpentine, pine tree-sided country highway with light feet and lighter heads.  The bottles bounced above our uplifted heads as we swilled first from one bottle and then the next.   The evening was especially created for slow-stroll weaving, and as the conversations became nostalgic with an intensity doubled by our sharing, we saw ourselves as we had been.

            Cootie was a redhead, and he had given himself his own nickname years ago when he tried to grow his first beard.  When his whiskers emerged they were soft and thin and as pale as moonlight on his chin.  His cheeks were naked.  The fuzz above his lip never grew or thickened, but Cootie was proud of his adornment just the same.  He stroked his ‘spider legs’ with his stubby fingers and if he went into a rage, as he often did, he clawed that chin with intimidating gestures, some so obscene they would frighten stones.  He would cream, “Cootie, cootie, cootie, cootie, I’ll give you my cooties.”  He kept that name; none of us ever got cooties.

            In a brawl he would charge into the first chest he could find, butting with his head, pummeling the belly of his opponent with fists and stomping on toes with his little feet.  Cootie was the size of a middle weight gone heavy in the midsection.  Even as a teenager his body looked like an old man’s, skinny in the legs, slouched at the shoulders and swelled in the rear.  He still looks this way, maybe a little heavier over his belt.  I was the perfect companion, gray haired even then, studious and stupidly serious.

            Under the spell of Joe Queer I know Cootie not as a brawler, or the carni pitchman, or the sewer repairman, (all activities of which he has specialized knowledge,) but I know him as an idealist, a romantic in the lovers’ sense.  He was the gregarious but intent youth who proposed marriage to Babs Horwath while unbuttoning her jeans under the pine trees of Como Park as I discussed Hemingway’s short stories with her cousin.  Babs refused the proposal if little else.  Not that Cootie did not want to marry Babs, he bemoaned her rejection for weeks, while I bemoaned other frustrations.  Cootie was so intent on marriage that I personally witnessed six proposals to six young women.

            Sweetie Mallory turned him down while on a picnic at Battle Creek.  Cheryl Bjustad heard his heartfelt plea while watching, wearily, the third of three Clint Eastwood movies.  Later, when the sun peeked through the blinds of my apartment Cootie and I went out to the backyard to dig worms for our planned fishing trip, Cheryl and her roommate had locked themselves in my bedroom.  They were gone when we returned from our fishing trip two days later.

            One afternoon after swimming with the Krumberger sisters, Cootie asked Rosemarie the big question.  She jumped from the back seat of my ’62 Galaxie and slid between her sister, Dot, and me where I thought not even sweat could find space.

            Later that year, under similar circumstances, Nancy Krause, who I had believed to have as much sense of the dachshund she resembled, refused him and all his advances flatly and without compromise.  Cootie had pursued her for months.  His demeanor was that of a pup off the tit.  He kept following Nancy until she finally introduced him to her volleyball coach.  Within a month Cootie was, again, heartbroken but physically satisfied.

            All in all, Cootie admitted to having proposed to thirteen girls who refused marriage.   And then the fourteenth consented.  So did the fifteenth, the sixteenth, the seventeenth and the eighteenth.  Five times he had plans made for a huge wedding party that he said would last a month.  But like the red sky at sunrise, impending marriage to Cootie spelled trouble and each young woman eventually sensed the coming storm and slipped away from him.  Sometimes they went gently, others screamed and howled and threw things, but not with the intention of hurting him.  Cootie was lovable.  He was a true romantic who bought flowers and wine, usually too much wine.  Before one particularly heartbreaking disengagement he even sold his beer drinking buddy, a squirrel monkey who drank with him when the rest of his friends weren’t available.

            Finally, at twenty-five Cootie married a tall, raven-haired lovely who was seventeen and not pregnant.  She stood above him at the alter while I looked on with sincere, brotherly affection.   Cootie looked saintly, and Raquel, she looked lusciously sexy.  The wedding party dance went well, for awhile.  The musicians were four tough looking women with short-cropped hair who played Country-Western music with an odd tempo.  Between ten-thirty and midnight four fist fights took place between the two families, and when one of Cootie’s overweight cousins called the lead guitar player a dyke, the band quickly packed up and disappeared.  For a party that was to last a month, four hours seemed disappointing.  The marriage was off to a bad start.  Six months later it was no longer starting, it was off.

            I had been there with him, at each corner, into each tavern and after-hours joint.  We had been side by side in kindergarten, too.  I did not go to Vietnam with him, but I was with him, years after he had come home.  We were still companions.  So as we weaved into Bigfork with an emptying bottle of tequila we chided a pair of high school kids necking in a ’58 Ford.   Time had stopped for Cootie and me.  Time did not exist in Bigfork with Joe Queer.  The town was as old and sad and nostalgic as we were.  We stepped along the one street, Main Street, past a ratty diner and musty old hardware shop with gray roofing shingles for siding, past a dingy filling station with a dirt driveway and into the lone tavern.

            I watched the Hamm’s Beer Bear smile at Cootie.  I saw an iridescent halo surround his red hair.  We ordered tequila drinks and turned to look at the crowd.  It consisted of two.  They were women with white hair and see-through blouses over black brassieres.  But they had bellies which rolled over their waistbands like lusty songs so we sat down with them and they sang dirty snowmobile songs to us for hours.  Like I said, time does not exist as we know it in Bigfork with Joe Queer.